Saturday, December 14, 2013

Our imaginations walk before us.

Our imaginations walk before us. We cannot engage in even the simplest act without having first imagined ourselves doing it. If I so much as turn on a light at dusk as I sit reading, my mind has already imagined the feeling of putting my bare, tucked in feet back into my slippers and walking the few steps to the light switch. This forethought unfolds so automatically, weighing the consequences of potential behaviors, that I barely realize that the decision as to when to perform this simple act entails weighing a sense of when would be the best stopping point; a complex calculus of how quickly the light is fading and how wrapped up I am in the flow of the book is unraveled with the seeming ease of Bobby Fisher making a move at chess. And suddenly I act, and the tiny denoument of an executed decision becomes a forgotten texture of my emotional make-up for the day. So much of our lives, however exciting or mundane on the surface, plays out in the silent music of our minds humming away, unnoticed. The only way I feel fully alive is to notice. And we can.

And this is the smallest of scales. We are always in the process of making layers and layers of decisions, from the small things like turning a light on or off, to strategies for handling the difficult people who populate our lives and how better to consider them, to what habits we should strengthen and which we should weaken, to whom we want to become and how others see us. Our minds are constantly working away at these things. One rises to the surface and another recedes; we prioritize them, order our intentions. We meta-decide how to decide what we will do, and this is how we become. We are the pattern of our choices.

Friday, November 8, 2013

Overheard

Two conversations overheard today while I was waiting:

(1) Two men in business suits, moving with gestures reminiscent of two buddies at a ball game, sit across from one another sipping coffee and remarking on how they haven't seen each other since high school, when they played hockey together and would gather in someone's big kitchen. They compare notes on how it felt to clear out their parents' belongings from their houses after they passed away, working with their siblings on the final act of childhood. Then one's cell phone rings and he talks about a property down in Ellicottville- it becomes clear he is a lawyer for the property owner, and he's advising his client to better cover up an open foundation for the winter so that a child does not fall in. He apologizes to his childhood friend, explaining that he can never get this client on the phone and that he needed to seize the opportunity. His friend responds with genuine sympathy. They sip. They are both lawyers.

(2) A man with shoulder length white hair and foam letters adorning the back of his tan corduroy blazer reading, "Jesus saves" walks up to two similarly aged women who are nibbling at eggy breakfast sandwiches as seagulls swarm outside the window in a grey sky. "Mind if I sit here?" They say yes politely, one through fuchsia and one through rouge lipstick. He tells them of a woman he talked to. He asked her, "Do you need to be saved?" and she said no-- can you believe it? All three shake their heads, sip their coffee.

Wednesday, November 6, 2013

How Lawyers Handle the Truth

After I graduated from college with an English degree and no real career plans, I ended up working as a paralegal at an immigration law firm, based on an ad that sought out individuals with creative writing skills. I admit to being skeptical at first as to why creativity would be required to do legal writing; I assumed at first that the lawyer wanted someone willing to bend the truth. So I asked about this in my interview, and the lawyer (now my boss of 12 years) explained to me, with some bemusement, that creativity in legal writing means something different than what might normally be considered "creative writing."

It was only after working as a paralegal for a couple of years that I understood more fully what the lawyer's role is, and why creative thinking (more than creative writing) is required for the job. Around that same time, I decided to go to law school.

Since then, I've become more sensitive to the way the legal profession is portrayed by the media, fostering the popular (and perhaps somewhat deserved) conception of lawyers as being concerned more at getting a lot of money for their clients and/or themselves than for getting at the truth or ensuring a fair outcome. But from my day to day work in the field, I have seen another side to the story that often goes overlooked.

I recently served as a guest lecturer at a local college. The class is a survey of Professional Writing, and features guest lecturers of various professions, all of whom give the students a writing assignment typical for their field. I asked the students to draft a legal brief, and explained how it is done. I reviewed the papers when they were done, and was pleased that most of the students had properly constructed the legal argument, explaining why a fictional client, despite having been charged for theft, remained admissible to the United States. However, I later learned from the professor that the students were troubled by the assignment because they felt that the person really should not be admitted to the country, but were forced to argue otherwise.

This type of thinking, the belief that one's personal moral intuition should be trusted as a more reliable guide for the administration of justice than a formal legal system, lies at the heart of people's mistrust of lawyers.  If these same people thought about it more deeply, they would distrust the entire notion of having a legal system based on the concept of impartiality at all.

The reason the fictional client in our hypothetical case remained admissible to the U.S. is because the formal charges against her were dropped and she never was convicted of the crime. The law only makes people inadmissible to the U.S. based on crimes of which they actually were convicted or of which they admit to having committed. And for those who are convicted of crimes, only certain crimes make them inadmissible. The law provides for many exceptions. The purpose of this labyrinth of rules is to ensure that truly dangerous individuals are not allowed into the country, but to allow most otherwise-qualified people to enter the country.

A fundamental concept in determining admissibility for those with criminal convictions is that the adjudicator cannot look behind the record of conviction. In most cases, the government officer determining admissibility is only permitted to review the statute under which the alien was convicted to determine whether the crime, as defined by the statute, is one that prevents an alien from entering the country. This is an important safeguard as it ensures that rules will be applied mechanically. It also shields the adjudicator from hearing the narrative surrounding the course of events that led to the arrest and conviction; narratives can powerfully affect one's opinion of how "bad" a crime is. But allowing the officer to look at the narrative would subject the alien to a second determination on culpability for the offense, a process that should occur only once, and in the context of the criminal proceeding. The determination of admissibility to the U.S. is not a redetermination of moral culpability for a crime; it is simply a determination as to whether someone so convicted ought to be permitted to enter the U.S.

One of the foundational principles of our legal system is impartiality in the administration of justice, and this is often achieved through the control of information that is given to decision-makers. We artificially strip narratives down to relevant facts so that legal principles can be appropriately applied. While additional facts may yield a different outcome, that is often because it is based on emotions aroused by the narrative rather than by carefully considered and balanced interests.

Because lawyers' job is to package information in this calculatedly artificial manner for judges, juries, adjudicators, and the like, we are often viewed as manufacturing a false version of reality. While it is true that the version of the facts that we create is artificially stripped down, this is done for a very important reason. We shear away the facts that are not relevant to the legal issue at hand. We mine the dense narratives presented by our clients for the legal issue. Once the issue is clear, there is a very limited set of relevant facts to be presented. This may be artificial, but the alternative is to determine guilt and innocence by mob rule or by the feelings of a single or a small group of individuals bent on protecting their own interest.

The administration of justice, the finding of culpability for crimes, is never a pretty business. There are very few ways of doing it, and modern society's system, based on impartiality, may not be perfect but it safeguards individuals' liberty, ensures fairness and equality before the law, and prevents decisions based purely on emotion. It could be a lot worse.








Monday, October 21, 2013

The Remembering Self

In Daniel Kahneman's book, Thinking, Fast and Slow, he discusses two selves that we all carry around with us: the experiencing self and the remembering self. The two selves have different perceptions of their own happiness. Kahneman even goes so far as to claim, “Odd as it may seem, I am my remembering self, and the experiencing self, who does my living, is like a stranger to me.” 

The first thing that comes to mind when I consider this internal division is the self that reflects on personal experience after a substantial passage of time, or that has learned something new between the formation of the initial memory and reflection upon it. We can all see that our 30 year old selves view our teenage years quite differently than we did when we were living them. But what surprises me is the weight that my remembering self attaches to moments that escaped deliberation in the very distant past.


Just this morning while I was getting ready for work, I remembered with such poignancy how my three year old followed me out to the garden on Saturday morning to see what was growing. We were delighted to find the kale plants exploding and she asked excitedly if she could pick some. I said yes, and explained that you have to peel the bottom leaves away from the stalk. She understood but wasn't quite strong enough to do it herself. So as she tried, I helped each leaf along until it fell in her palm and she felt accomplished. She insisted on carrying a big armload of leaves into the house herself for washing.


It hadn't even occurred to me until this morning that that was a bonding experience; I felt so connected to her as we worked together. Her simple joy in the task was infectious. How is it that I failed to note the depth of the experience as it was happening? 


Sometimes I think my experiencing self is unbearably stupid and that that is why I need to spend so much time writing and reflecting on the small moments in my life. I never grasp their importance until later on.

Monday, September 30, 2013

Time & Meaning

I recently heard an interview on NPR of a brain surgeon who treats young children who have brain cancer. He is frequently in the position of having to inform parents that their children are going to die. He described the most touching parenting scene he has ever seen. One day, after telling a mother and father that their child was about to die, he went up to the child's hospital room to see how the parents were coping. What he saw was a child in bed waiting expectantly for her parents to draw back the curtain to reveal their faces and exclaim, "See! This is what it will be like when you die. You will be on the other side of the curtain but we'll still be here! Just like this!"

And the point of the story was that a life, no matter how long or how short, is still a complete life. The point at which it ends doesn't determine its fullness. It is still something beautiful.

I think we become confused when we value things in relationship to time. I work in a profession where we charge by the hour, and I will tell you that my fleeting moments of insight into the cases I'm constructing are very short-lived and yet they make the case. They are like a spark thrown from the flint of my efforts that set the whole thing ablaze. To charge hourly for my labors ignores the only piece that matters- the piece that exists apart from time.

We are forever trying to harness the value of human experience to time, and we are forever failing. Whatever time is, it bears no direct relationship to meaning. Things that are meaningful exist outside of time, make time irrelevant.

Thursday, September 26, 2013

Light Inescapable

Light, inescapable, bathes the tall faces
Of buildings whose ground floors still mingle
With shadows and footfalls and breaths
That have just become visible this time of day.

This may be the one morning all year
That we feel the earth tilt on its axis
And see- perhaps down an alleyway
Drowned in the shadows-

The tunnel of years we collapse
In our memories down to their bones,
To the way the light fell
In its journey of angles to darkness.



Thursday, September 5, 2013

A New Ending

I remember seeing the two of them walking down Elmwood Ave. toward me, hand in hand, and the way the smiles grew on their faces as they approached. I was working as a paralegal at an immigration law firm at the time and was working on his application for permanent residency as the spouse of a US citizen. They asked me to come to their house, down the street, to watch a movie with them. They gave me a tour and he showed me the new kitchen floor they had just put down. We ate popcorn and watched Waking Life and chatted through the whole movie about the philosophical concepts it raised. I barely knew them but they brought me in; it was as if their love grew to encompass me for an evening and I felt a sense of belonging.

I held on to that sense in the coming months as I worked on his case. His ex-wife, also a US citizen, had accused him of immigration marriage fraud, and he was barred from ever becoming a permanent resident until we proved otherwise. I worked closely with the attorney on the case to discover everything I could about his history, and ultimately was responsible to write his story. It was a labor of love. There was a way of viewing the facts that was unfavorable to him, but I had felt the genuineness of his present marriage and didn't believe him capable of committing fraud. And so it became easy for me to see his version of events and how they were believable. Ultimately, he became a permanent resident.

Only this past summer did I find out that he was charged in another state with a pretty heinous crime. From the facts available in the news, it seems pretty obvious that he's guilty. I don't know that there is any other way of looking at these allegations. He is in jail awaiting trial and probably will not be free for decades.

I have long since moved out of the city and into the suburbs, but I was in the Elmwood village recently, walking alone down the street as I had so many years ago when I met them. I could see their ghosts mingled in the crowd with their simple joy. I felt the weight of what could have been his life. I wish I could write a new ending.